Editorial Reviews

A Tuft of Thistledown is a gripping historical novel that plunges deep into the brutal realities of the Trail of Tears. Set in 1839, the story follows a harrowing clash of cultures, where violence, survival, and the unyielding will to endure take center stage. Through raw and vivid storytelling, the book presents the perspectives of both the Cherokee people fighting to preserve their way of life and the white men determined to erase them. The novel weaves together historical accuracy and emotional intensity, capturing the pain of forced removal and the complex motivations behind acts of cruelty and resistance. What struck me most about this book was its unflinching portrayal of human suffering. The opening scene alone is enough to make your stomach turn; a one-eyed Cherokee man, bound and tortured, refusing to break. The descriptions are visceral, the emotions sharp as knives. It’s not just the violence that gets under your skin, though. It’s the way the characters grapple with their choices. The blacksmith, for example, torn between obedience and conscience, sneaks a bottle of whiskey to the dying man, only to later realize the man couldn't even drink it. That moment, small but devastating, is where the book shines. It makes you feel the weight of inaction, of complicity. Beyond the gut-wrenching pain, the novel’s pacing keeps you on edge. The sections with the Cherokee people offer a striking contrast to the brutal interrogations and raids. Scenes with Horse Song and Runabout, especially when she sees the white man at the eagles’ clearing, are filled with tension, but they also carry a quiet beauty. The descriptions of their hidden village, the careful collection of mulberries, and the intimate moments between families remind us of what’s at stake. And just when you start feeling safe, the book rips that away. The moment the children run screaming into the council house, yelling about white men, your heart stops right along with Horse Song’s. One of the most intriguing elements of the book is John Lucas Jr., a character you want to hate but can’t entirely dismiss. He is methodical, cruel, but also strangely haunted. The way he follows the golden foal, chasing echoes of a past he doesn’t fully understand, adds a layer of depth to his character. He is not a villain in the mustache-twirling sense but he is something worse. He is a man who sees himself as rational, as doing what needs to be done, and that makes him terrifying. His realization that the foal carries a crescent moon marking, just like a horse from his past, hints at a connection to the people he is hunting. That moment lingers, making you wonder how much of him is still human and how much has been lost to cruelty. I would recommend this book to anyone who appreciates historical fiction that doesn’t hold back. If you are looking for a comfortable read, this isn’t it. The writing is sharp, the themes are heavy, and the emotions hit hard. A Tuft of Thistledown is an experience that will stay with you long after you’ve turned the last page. Literary Titan 5star

 A deftly crafted historical novel set in the American West as the backdrop to the clash between Native Americans and the every increasing forces of the Whites for how the land should be governed and who had the right to govern it, "A Tuft Of Thistledown" is an original, inherently fascinating and emotionally engaging action adventure from start to finish. Showcasing the author's (only known as Anon) distinctive, effective, and reader engaging storytelling skills, "A Tuft Of Thistledown" is especially and unreservedly recommended for community library Western & Historical Fiction collections. It should be noted for personal reading lists that this paperback edition from Caturro Publishing is also readily available in a digital book format (Kindle, $3.79).
Editorial Note: Anon is the author's chosen pseudonym and is taken from the word 'anonymous', meaning: of unknown authorship or origin; not named or identified.

Jim Cox Midwest Book Review

More reviews to follow, but yes, I know they should have all been done before the book was published, not after!